Director: Michael Mann
Writer: Michael Mann
Stars: Al Pacino, Robert De Niro, Val Kilmer
Story-line
Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.User Reviews:
Micheal Manns'(director of 'The Insider', and 'Manhunter') smooth, straightforward direction is studded with brilliant and very memorable cinematic gems in 'Heat', A bullet riddled drama with, yes , Al Pacino and Robert De Niro in their first on screen meeting. What do you want to hear about 'Heat'. Is it DeNiro's best performance? No. Is it Pacino's best performance? I'd be lying if I said it was. Do the performances improve the story? Absolutely. Mann has written (he wrote it as well) a complex and exciting two-sided story that develops the hunter Vincent Hanna (Pacino) and the hunted Neil McCauley (De Niro) separately throughout much of the film. Underneath a hail of bullets Mann is able to paint both lead characters with the same brush by delving into the similarly tragic and chaotic personal lives of Hanna and McCauley, allowing for the final epic scene, which would have been too pretentious if it were not for the excellent performances of Pacino and De Niro. Bottom Line: Not having seen this movie is akin to idiocy for anyone claiming to be a fan of movies. 9 out of 10
One of the most amazing things about Heat is the scale of the film; it is nearly three hours long and packed to bursting with mind-blowing visuals. It seems one of Michael Mann's main priorities was to make a film with a dreamlike feel to it, to portray LA as a dusty oil-painting on which complex characters could play out their lives. One of the main themes is the similarity of the career criminal and the street-wise cop. It is fascinating to find yourself really feeling for DeNiro's tragic bank-robber, a man of philosophical merit who realises he's stuck in a life of crime he doesn't want to lead. Pacino's cop is less easy to sympathise with, but he too leads an in-escapable life of guns and crime. What really stands out is the climax. On the whole, Heat has to be the best cops n' robbers film ever made, indeed, one of the best films. An epic, wonderful, sad, adrenaline-fuelled exercise in scale and grandeur.
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